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Also included are two large Imperial kesi (cut silk) tapestries, early unpublished Chinese paintings of European ships coming to China, a large ?famille verte? figurine, large blue and white porcelain chargers, a collection of impressive snuff bottles and opium boxes, and a huge coramandel screen with inlaid precious stones such as jade, coral, malachite, turquoise, quartz, and amethyst.Ĭatalogue will be available in the Gallery Shop.You may return any items within 30 days of delivery for an exchange or a full refund. Other highlights of the exhibition include a huge two-wheel 18th century horse cart recently donated to the Art Gallery by Joey and Toby Tanenbaum. Some experts consider them the most splendid ceramics ever crafted. Today, the porcelain of the Qing dynasty is held in high esteem throughout the world. The exhibition is divided into four parts: costumes, ceramics, painting and calligraphy scrolls, and will include stunning jade, ivory, amber, bamboo carving, cloisonn? and bronze artifacts. This exhibition examines various aspects of art produced during Manchu rule: arts which show Manchu influence as well as the continuance of Chinese art style. In the end the Manchus were assimilated by the Chinese and the Qing dynasty fell in 1911. However, with all art forms there was always a strong underlying current of Chinese influence. This perfectionism applied to other fields including jade, bamboo, ivory and amber carvings as well as cloisonn? and lacquerware. In the arts, the Manchu rulers continued to enjoy magnificent porcelains made at the ceramic centre of Jingdezhen, but they demanded an even greater degree of perfection. The Chinese male population had to adopt the long queue pigtail as a symbol of the Manchu dominance. The Manchus adopted different court attire in the form of boots, trousers and coats of a nomadic style. Among the most obvious differences were language and customs. To prevent assimilation, the Manchu stressed their ethnic differences. Aware that the Chinese majority could eventually assimilate them, the Manchu developed a political organization that sufficiently maintained the Chinese-style bureaucracy while at the same time preserving their own identity. The effects of conquest by a people ethnically and culturally different from the Chinese were manifold. These Manchu warriors named their dynasty Qing (meaning “pure”) and ruled China until 1911. In 1644 a small group of nomadic warriors descended from Manchuria and conquered China. The Manchu Era: Art of China’s Last Imperial Dynasty

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